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一直(🕕)作為(wéi )米路斯(🆓)．科曼(màn )劇本(běn )(📼)鐵三角（另一位是帕(😘)培錫(🕸)，也(yě )(🔱)是本片(🤴)編劇之一(🎗)）成(chéng )員的艾雲．巴(🔬)薩，當(dāng )然(🥩)也走低度戲劇路線。同是音樂家的彼德(dé )與卡(🐿)洛老(🔸)友(yǒu )重逢，生(shēng )(🛍)活(🎡)狀(🕖)況大(👁)不同(💆)，你(🔲)有伴侶我有家(jiā )庭，然而都有說(shuō )不出(chū )的不明朗，唯(wéi )有(yǒu )以(🥀)酒與(yǔ )音樂代替(tì )(🔊)口(💞)水。全片推展不問(🥁)目的(de )，只在剎那間的意(yì )圖(tú )(🦗)，行(🎛)行(háng )企企(qǐ )比起科曼更義(yì )(🔝)無(wú )反(fǎn )顧，卻有(🤸)生活(🙄)淡如流水的(de )詩(⛓)意(yì )和繆(🈴)思(sī )，叫觀眾(zhòng )聯想到(🚻)二十年後(hòu )的伊力．盧馬。巴薩(🐀)鍾愛音(🧣)樂(lè )的(⚾)程度不下於文字和電(diàn )影，古典音樂(lè )與(💍)民(🚗)間音(yīn )樂(😊)於(yú )全片(piàn )迴(🐛)轉迴盪，難怪成了奇斯洛夫斯基十(💯)大心愛電影之一。 康城影展青年評審團獎，美(💸)國全國影(yǐng )評人協會(📐)特別獎 (👄) 這部(bù )1966年的珍品，是捷(jié )克新浪潮短暫生命(mìng )中最佳作品之一。成(chéng )名音(yīn )樂(✖)家到小鎮探訪舊(jiù )同學，舊(jiù )(💁)同學是個(gè )窮音(yīn )樂教(🔬)師，有時(shí )(💕)在喪禮(🐌)上(🐱)吹奏樂曲。平凡的素(sù )材在巴素手裡(🕵)，變(🚓)出風趣(qù )復罕見的旋律，一部(bù )憂(yōu )鬱(⛎)的(🏖)喜劇(jù )，或灰色喜劇(🔮)。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (💒) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (👪) - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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